Medium: Abstract Painting
Size:
11” High x 14” Wide
27.94 cm High x 35.56 cm Wide
Materials: Acrylic on Canvas
Presentation: Landscape
Certificate of Authenticity: Included, hand-signed, and issued by World Master Artist, Gayle Printz
Provenance: Directly from the Artist
Signature: Hand-signed by the Artist
Rarity: An original unique work by Gayle Printz
Condition: Pristine
Frame: Not included or necessary. The edges are finished for frameless presentation.
Archival Protection: Invisible, moisture-resistant, UVLS polymer finish for fine art; Removable for conservation purposes
Ships From: Ships Worldwide From Atlanta, Georgia, U.S.A.
Price:
$5,000 USD
EXPERT ART REVIEW AND THE FIRST TIME GAYLE PRINTZ IS PUBLICLY CALLED A LEGEND: “A REVIEW OF THE LEGEND, GAYLE PRINTZ, WINNER OF THE COLLECTORS ART PRIZE LEGENDS OF OUR TIME,” By The Jury of The Collectors Art Prize: Art Legends of Our Time, Art Market Experts, Hong Kong, January 8, 2026
A PROFESSIONAL ART REVIEW: “PAINTING AT FULL VELOCITY: THE UNCOMPROMISING MODERN ABSTRACTIONISM OF GAYLE PRINTZ,” By Myrina Tunberg Georgiou, Director, Circle Foundation for the Arts, SPOTLIGHT ~ CONTEMPORARY ART MAGAZINE, ISSUE 42, Page 6, Gayle Printz: COVER ARTIST and Pages 7 – 14, Circle Publications, Lyon, France, December 2025
A PROFESSIONAL ART REVIEW: “GAYLE PRINTZ: WINNER OF THE COLLECTORS ART PRIZE, LEGENDS OF OUR TIME” By the Jury of COLLECTORS ART PRIZE: ART LEGENDS OF OUR TIME, Contemporary Art Curator Magazine of Dubai, United Arab Emirates, in collaboration with Art Market Experts of Hong Kong and their Invitation-Only Private Collectors Club, September 2025.
A PROFESSIONAL ART REVIEW: “THE ART OF GAYLE PRINTZ: A CAPTIVATING JOURNEY THROUGH THE NEW WORLD OF MODERN ABSTRACTIONISM,” By Despina Tunberg, Curator, IMPORTANT CONTEMPORARY MASTERS VOLUME 16, Page 4, Gayle Printz: COVER ARTIST, Artavita -World Wide Art Books, Santa Barbara, California, U.S.A., July 2025
WINNER OF THE 2025 INTERNATIONAL ARTIST OF THE YEAR AWARD: Conferred by Fondazione Effetto Arte of Palermo, Italy, at Palazzo Pucci, in Florence, Italy, January 25, 2025
AN EXPERT ART REVIEW: “THE ARTISTIC VISION OF GAYLE PRINTZ: FREEDOM BEYOND BOUNDARIES,” By Myrina Tunberg Georgiou, Curator and Director of SPOTLIGHT ~ Contemporary Art Magazine and Circle Foundation for the Arts, Lyon, France, January 2025
THE EXPERT ART REVIEW IN WHICH GAYLE PRINTZ IS FIRST CREDITED WITH FOUNDING A NEW ARTISTIC GENRE: “GAYLE PRINTZ: NEW MODERN ABSTRACTIONISM,” By Dottore Salvatore Russo, Curator, Art Historian, Art Critic, Page 8, MASTER ARTISTS TO COLLECT, Gayle Printz: COVER ARTIST, Fondazione Effetto Arte, Priulla Print, Palermo, Italy, January 2025
EXPERT ART REVIEW: “GAYLE PRINTZ, A WORLD MASTER ARTIST: ILLUMINATING THE BOUNDLESS SOUL OF ABSTRACT ART,” By Contemporary Art Collectors, England and Wales, December 2024
WINNER OF THE TOP 60 WORLD MASTERS AWARD: ArtTour International Magazine, New York, New York, U.S.A., June 2024
AN EXPERT ART REVIEW: “GAYLE PRINTZ: A REVOLUTIONARY IN CONTEMPORARY ABSTRACT ART,” By Marta Puig, Art Critic, Curator, and Editor-in-Chief of Contemporary Art Curator Magazine, United Kingdom, May 2024
NAMED AN ARTIST TO WATCH IN 2024: By ArtTour International Magazine, New York, New York, U.S.A., February 2024
A PROFESSIONAL ART REVIEW: “VIBRANT RESONANCE: A SYMPHONY OF EMOTION AND COLOR OF GAYLE PRINTZ,” By Viviana Puello, Editor in Chief of ArtTour International Magazine, Top Featured Artist Edition, ArtTour International Publications, New York, New York, U.S.A., February 2024
NAMED A STAR TO WATCH IN 2023: ArtTour International Magazine, New York, New York, U.S.A., May 2023
WINNER OF THE INTERNATIONAL PRIZE LEONARDO DA VINCI: Fondazione Effetto Arte, Conferred at Museo della Scienza e della Tecnologia Leonardo da Vinci, Milan, Italy, April 2023
FINALIST AWARD: Art Show International Seventh ABSTRACT Exhibition, November 2022 FINALIST AWARD: Grey Cube Art Gallery Second MONOCHROME Exhibition, October 2022
AND NUMEROUS ADDITIONAL INTERNATIONAL ART AWARDS EARNED IN JURIED COMPETITIONS ENTERED WHILE MUSEUMS AND GALLERIES WERE STILL STRUGGLING FOR SURVIVAL BY USING ONLINE PLATFORMS BECAUSE OF THE PANDEMIC
